Time and Tide Bell

I love sound installations that are out in the open, especially if they’re played by nature. Last summer I was able to see the Sea Organ in Zadar in real life, and it has had a very special place in my heart ever since. The way its sound was created by waves crashing against the organ embedded in the shore fitted the view and the weather conditions perfectly. The Time and Tide Bell project by Marcus Vergette, a multidisciplinary artist from the UK, has a similar appeal.

“Time and Tide Bell” is a permanent installation, existing of 12 bells around the U.K. in several very different locations, rung by the sea at high tide. The rise of the water at high tide moves the clapper to strike the bell. Played by the movement of the waves, the bell creates a varying, gentle musical pattern.

As the effect of global warming increases, the periods of bell strikes will become more and more frequent, and as the bell becomes submerged in the rising water the pitch will vary.

In that way the project is one of the few great examples of art that will be around for a long time, drawing attention to a large-scale, long-term problem.

Everything Was Forever, Until It Was No More

Konrad Smoleński is an artist working in different fields, often collaborating with other artists and musicians. He works and lives in Warschau and Bern. His works are often big and sculptural, connected to sound or video.

His work “Everything Was Forever, Until It Was No More”, is a sculptural instrument written for two bronze bells, two walls of loudspeakers and resonating objects, in this case resonating lockers. The composition links the rich symbolic sound of the clocks to the abstract sound of reverb and resonating noise. By using delay and other effects, Smoleński creates a world wherein history comes to a standstill.

This installation is one of many which can be seen at Orkest! a group exhibition featuring works by Rutger Zuydervelt, Julian Sartorius, Oliver Beer, Rubén D’hers, Michael Schmid, and Nicolas Field. Orkest! can be seen from the 7th of december 2014 until the 6th of march 2015 at the Netwerk / centre for Contemporary art in Aalst, Belgium. We’ll feature some other works from this exhibition in the coming weeks.