Korinsky Studio consists of Abel, Carlo and Max Korinsky. They mainly focus on their shared passion: exploring the possibilities of using sound in vertical surfaces. 3845 m/s is their newest installation using their own software, in a former coal power plant in Berlin. See the Korinsky Studio website for more information about their work.
Entries in installations (89)
We all know those white earphones can get pretty loud. And when they do, many times it’s not just the listener who enjoys the music, it’s the whole bus or train. So why not make use of this and create a piece of sound art made with 1629 of them? It’s called Volumen Sintetico and it’s created by Chilean artist Ariel Bustamante.
The earphones are embedded in a 180 cm wooden ‘antenna’. Its parabolic form creates a sonic hotspot right in front of the installation, and the composition played in the movie below is created using abstract sounds, designed to make use of the rooms’ resonant features. Volumen Sintetico deliberately translates personal audio to the public space.
We’ve seen work of the Quiet Ensemble before. Now I don’t like the use of animals in art installations, but the mice in Orchestra Da Camera seem to have quite some space, and while they run around they can play a lullaby by Brahms, Schubert or Mozart.
Visit the Quiet Ensemble website to have a look at more of their work.
It’s like the building comes alive, it moves and shivers and moans. This is caused by SPINE, and interactive installation consisting of twenty glowing cubes which move around in fluid motions. The sounds you hear, as well as the movement of the cubes, is influenced by visitors who come nearby.
Dyskograf is like a turntable, but this time you can draw the record yourself. OK - you cannot actually create a song, but a loop of electronic music. It’s like a circular step sequencer with a nostalgic appearance, as it bridges the gap between virtual instruments and the tactile way of writing music with pen on paper. The audible result is not all that inspiring, but it sure looks good.
A camera reads the information drawn on Dyskograf’s paper disks and transfers the information to the software which plays the sound. The installation is created by French new media collective Avoka. Will this make you more creative, or is it just a good looking toy? Watch the video to see Dyskograf in action:
Via The Verge
An interesting question: what happens if you put 14 acoustic guitars on the floor and play them randomly? You would assume it would result in uninteresting noise, but listening to Playa by Ruben Dhers proofs the result can also be quite enchanting. 31 DC motors play the guitars using fans, and a computer controls the installation. The speed of the fans varies, causing a pleasant change in dynamics, and when they swing back and forth a higher speeds it feels like we’re listening to waves of guitar strings.
Playa can be seen in real life at the Neues Museum Weimar, Germany.
“A three dimensional physical and aural mapping of conversations that occurred within the community of Providence, Rhode Island.” That’s the somewhat curious description of the concept for the Urban Time Machine sound installation. But whether you can still perceive these conversations or not, it’s an interesting idea and the result is quite impressive. At least when it comes to looks…
Urban Time Machine is a project by Joshua Lantzy, whose work is based around sound, design and architecture. For this project he collaborated with Benjamin Phillips. Have a look at his website for some other interesting projects. So, what does the Urban Sound Machine sound like? It’s like a never ending composition, which apparently doesn’t sound the same for at least 19 years:
Melissa Dubbin and Aaron S. Davidson came up with Volumes for Sound while looking to find a physical representation of immaterial things. The objects can be seen as sculptures which can form all kinds of different structures, but are equipped with speakers as well.
This summer Volumes of Sound is exhibited as part of the 2012 Reykjavík Arts Festival in Iceland. Various sound artists will be asked to compose a piece specifically for the installation, which plays eight channels of audio.
It records your voice, then plays it back, cross fading into a cacophony of previously recorded samples. Voice Array, an installation created by Rafael Lozano-Hemmer, also gives a visual representation of what’s being recorded by blinking its white LED’s.
In total, the installation can hold up to 288 samples, so your message won’t be captured inside of it for ever. When it gets pushed to the end of the row by a series of new recordings it gets one last moment of fame, before it will be deleted for ever:
Photos by Photo by: Antimodular Research - Found via The Emergent Locality
Audiograph is like a seismograph for sound. It measures the sound level in a space and creates a visual timeline of this level. It’s like a real-time score of the everyday noise and the sounds we make. The installation was created by Christopher Ruggio.