Edu Comelles is a Valencia-based sound designer, musician and curator. His works often make you aware of certain sociocultural elements, or your everyday surroundings.
For his latest project, Spectrogram: Mislata, Edu recorded the city of Mislata for a whole month. The resulting archive consisting of local urban, rural, social and cultural soundscapes was analyzed and turned into a spectrogram: a visualization of the spectral information in an audio-file.
By doing this, he makes the intangible heritage of Mislata visible without being very intrusive. The murals combine various spectrograms from different recordings. The image is full of details, complexities and graphic nuances. The murals are composed of parts of spectrograms of sounds from birds, cars, sirens, buses, church bells and all kinds of hums, hisses and roars that Edu found in the city of Mislata. Those textures, put together, form a portrait of the city and it’s inhabitants.
Sound art often takes time to immerse yourself in. Pieces in public space, even if they do tell a story about the neighborhood they’re in, can be an annoyance to the locals. By visualizing the soundscape, Spectrogram: Mislata blends in with the surroundings. The viewer can wonder about the sounds visualized on the mural at their own pace, when they pass it every day.